Musician enhancement for speech-in-noise.
Identifieur interne : 001681 ( Main/Exploration ); précédent : 001680; suivant : 001682Musician enhancement for speech-in-noise.
Auteurs : Alexandra Parbery-Clark [États-Unis] ; Erika Skoe ; Carrie Lam ; Nina KrausSource :
- Ear and hearing [ 1538-4667 ] ; 2009.
Descripteurs français
- KwdFr :
- Adulte (MeSH), Discrimination de la hauteur tonale (MeSH), Femelle (MeSH), Humains (MeSH), Jeune adulte (MeSH), Masquage perceptif (MeSH), Musique (MeSH), Mâle (MeSH), Mémoire à court terme (MeSH), Perception de la parole (MeSH), Seuils sensoriels (MeSH), Spectrographie sonore (MeSH), Stimulation acoustique (MeSH), Test de perception de la parole (MeSH), Valeurs de référence (MeSH).
- MESH :
English descriptors
- KwdEn :
- Acoustic Stimulation (MeSH), Adult (MeSH), Female (MeSH), Humans (MeSH), Male (MeSH), Memory, Short-Term (MeSH), Music (MeSH), Perceptual Masking (MeSH), Pitch Discrimination (MeSH), Practice, Psychological (MeSH), Reference Values (MeSH), Sensory Thresholds (MeSH), Sound Spectrography (MeSH), Speech Perception (MeSH), Speech Reception Threshold Test (MeSH), Young Adult (MeSH).
- MESH :
Abstract
OBJECTIVE
To investigate the effect of musical training on speech-in-noise (SIN) performance, a complex task requiring the integration of working memory and stream segregation as well as the detection of time-varying perceptual cues. Previous research has indicated that, in combination with lifelong experience with musical stream segregation, musicians have better auditory perceptual skills and working memory. It was hypothesized that musicians would benefit from these factors and perform better on speech perception in noise than age-matched nonmusician controls.
DESIGN
The performance of 16 musicians and 15 nonmusicians was compared on clinical measures of speech perception in noise-QuickSIN and Hearing-In-Noise Test (HINT). Working memory capacity and frequency discrimination were also assessed. All participants had normal hearing and were between the ages of 19 and 31 yr. To be categorized as a musician, participants needed to have started musical training before the age of 7 yr, have 10 or more years of consistent musical experience, and have practiced more than three times weekly within the 3 yr before study enrollment. Nonmusicians were categorized by the failure to meet the musician criteria, along with not having received musical training within the 7 yr before the study.
RESULTS
Musicians outperformed the nonmusicians on both QuickSIN and HINT, in addition to having more fine-grained frequency discrimination and better working memory. Years of consistent musical practice correlated positively with QuickSIN, working memory, and frequency discrimination but not HINT. The results also indicate that working memory and frequency discrimination are more important for QuickSIN than for HINT.
CONCLUSIONS
Musical experience appears to enhance the ability to hear speech in challenging listening environments. Large group differences were found for QuickSIN, and the results also suggest that this enhancement is derived in part from musicians' enhanced working memory and frequency discrimination. For HINT, in which performance was not linked to frequency discrimination ability and was only moderately linked to working memory, musicians still performed significantly better than the nonmusicians. The group differences for HINT were evident in the most difficult condition in which the speech and noise were presented from the same location and not spatially segregated. Understanding which cognitive and psychoacoustic factors as well as which lifelong experiences contribute to SIN may lead to more effective remediation programs for clinical populations for whom SIN poses a particular perceptual challenge. These results provide further evidence for musical training transferring to nonmusical domains and highlight the importance of taking musical training into consideration when evaluating a person's SIN ability in a clinical setting.
DOI: 10.1097/AUD.0b013e3181b412e9
PubMed: 19734788
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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<author><name sortKey="Parbery Clark, Alexandra" sort="Parbery Clark, Alexandra" uniqKey="Parbery Clark A" first="Alexandra" last="Parbery-Clark">Alexandra Parbery-Clark</name>
<affiliation wicri:level="1"><nlm:affiliation>Department of Communication Sciences, Northwestern University, Evanston, Illinois 60208-2952, USA. apc@u.northwestern.edu</nlm:affiliation>
<country xml:lang="fr">États-Unis</country>
<wicri:regionArea>Department of Communication Sciences, Northwestern University, Evanston, Illinois 60208-2952</wicri:regionArea>
<wicri:noRegion>Illinois 60208-2952</wicri:noRegion>
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<author><name sortKey="Skoe, Erika" sort="Skoe, Erika" uniqKey="Skoe E" first="Erika" last="Skoe">Erika Skoe</name>
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<author><name sortKey="Lam, Carrie" sort="Lam, Carrie" uniqKey="Lam C" first="Carrie" last="Lam">Carrie Lam</name>
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<author><name sortKey="Kraus, Nina" sort="Kraus, Nina" uniqKey="Kraus N" first="Nina" last="Kraus">Nina Kraus</name>
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<sourceDesc><biblStruct><analytic><title xml:lang="en">Musician enhancement for speech-in-noise.</title>
<author><name sortKey="Parbery Clark, Alexandra" sort="Parbery Clark, Alexandra" uniqKey="Parbery Clark A" first="Alexandra" last="Parbery-Clark">Alexandra Parbery-Clark</name>
<affiliation wicri:level="1"><nlm:affiliation>Department of Communication Sciences, Northwestern University, Evanston, Illinois 60208-2952, USA. apc@u.northwestern.edu</nlm:affiliation>
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<author><name sortKey="Lam, Carrie" sort="Lam, Carrie" uniqKey="Lam C" first="Carrie" last="Lam">Carrie Lam</name>
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<author><name sortKey="Kraus, Nina" sort="Kraus, Nina" uniqKey="Kraus N" first="Nina" last="Kraus">Nina Kraus</name>
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<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Acoustic Stimulation (MeSH)</term>
<term>Adult (MeSH)</term>
<term>Female (MeSH)</term>
<term>Humans (MeSH)</term>
<term>Male (MeSH)</term>
<term>Memory, Short-Term (MeSH)</term>
<term>Music (MeSH)</term>
<term>Perceptual Masking (MeSH)</term>
<term>Pitch Discrimination (MeSH)</term>
<term>Practice, Psychological (MeSH)</term>
<term>Reference Values (MeSH)</term>
<term>Sensory Thresholds (MeSH)</term>
<term>Sound Spectrography (MeSH)</term>
<term>Speech Perception (MeSH)</term>
<term>Speech Reception Threshold Test (MeSH)</term>
<term>Young Adult (MeSH)</term>
</keywords>
<keywords scheme="KwdFr" xml:lang="fr"><term>Adulte (MeSH)</term>
<term>Discrimination de la hauteur tonale (MeSH)</term>
<term>Femelle (MeSH)</term>
<term>Humains (MeSH)</term>
<term>Jeune adulte (MeSH)</term>
<term>Masquage perceptif (MeSH)</term>
<term>Musique (MeSH)</term>
<term>Mâle (MeSH)</term>
<term>Mémoire à court terme (MeSH)</term>
<term>Perception de la parole (MeSH)</term>
<term>Seuils sensoriels (MeSH)</term>
<term>Spectrographie sonore (MeSH)</term>
<term>Stimulation acoustique (MeSH)</term>
<term>Test de perception de la parole (MeSH)</term>
<term>Valeurs de référence (MeSH)</term>
</keywords>
<keywords scheme="MESH" xml:lang="en"><term>Acoustic Stimulation</term>
<term>Adult</term>
<term>Female</term>
<term>Humans</term>
<term>Male</term>
<term>Memory, Short-Term</term>
<term>Music</term>
<term>Perceptual Masking</term>
<term>Pitch Discrimination</term>
<term>Practice, Psychological</term>
<term>Reference Values</term>
<term>Sensory Thresholds</term>
<term>Sound Spectrography</term>
<term>Speech Perception</term>
<term>Speech Reception Threshold Test</term>
<term>Young Adult</term>
</keywords>
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<term>Discrimination de la hauteur tonale</term>
<term>Femelle</term>
<term>Humains</term>
<term>Jeune adulte</term>
<term>Masquage perceptif</term>
<term>Musique</term>
<term>Mâle</term>
<term>Mémoire à court terme</term>
<term>Perception de la parole</term>
<term>Seuils sensoriels</term>
<term>Spectrographie sonore</term>
<term>Stimulation acoustique</term>
<term>Test de perception de la parole</term>
<term>Valeurs de référence</term>
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<front><div type="abstract" xml:lang="en"><p><b>OBJECTIVE</b>
</p>
<p>To investigate the effect of musical training on speech-in-noise (SIN) performance, a complex task requiring the integration of working memory and stream segregation as well as the detection of time-varying perceptual cues. Previous research has indicated that, in combination with lifelong experience with musical stream segregation, musicians have better auditory perceptual skills and working memory. It was hypothesized that musicians would benefit from these factors and perform better on speech perception in noise than age-matched nonmusician controls.</p>
</div>
<div type="abstract" xml:lang="en"><p><b>DESIGN</b>
</p>
<p>The performance of 16 musicians and 15 nonmusicians was compared on clinical measures of speech perception in noise-QuickSIN and Hearing-In-Noise Test (HINT). Working memory capacity and frequency discrimination were also assessed. All participants had normal hearing and were between the ages of 19 and 31 yr. To be categorized as a musician, participants needed to have started musical training before the age of 7 yr, have 10 or more years of consistent musical experience, and have practiced more than three times weekly within the 3 yr before study enrollment. Nonmusicians were categorized by the failure to meet the musician criteria, along with not having received musical training within the 7 yr before the study.</p>
</div>
<div type="abstract" xml:lang="en"><p><b>RESULTS</b>
</p>
<p>Musicians outperformed the nonmusicians on both QuickSIN and HINT, in addition to having more fine-grained frequency discrimination and better working memory. Years of consistent musical practice correlated positively with QuickSIN, working memory, and frequency discrimination but not HINT. The results also indicate that working memory and frequency discrimination are more important for QuickSIN than for HINT.</p>
</div>
<div type="abstract" xml:lang="en"><p><b>CONCLUSIONS</b>
</p>
<p>Musical experience appears to enhance the ability to hear speech in challenging listening environments. Large group differences were found for QuickSIN, and the results also suggest that this enhancement is derived in part from musicians' enhanced working memory and frequency discrimination. For HINT, in which performance was not linked to frequency discrimination ability and was only moderately linked to working memory, musicians still performed significantly better than the nonmusicians. The group differences for HINT were evident in the most difficult condition in which the speech and noise were presented from the same location and not spatially segregated. Understanding which cognitive and psychoacoustic factors as well as which lifelong experiences contribute to SIN may lead to more effective remediation programs for clinical populations for whom SIN poses a particular perceptual challenge. These results provide further evidence for musical training transferring to nonmusical domains and highlight the importance of taking musical training into consideration when evaluating a person's SIN ability in a clinical setting.</p>
</div>
</front>
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